The Lost One

The installation THE LOST ONE, on Tour:

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Photo: Lisa Kejonen

In the installation The Lost One, Liselotte Wajstedt creates a tender narrative about her grandmother. She examines a personal history and discovers connections to her own life. The work also reflects several profoundly universal questions and ideas about life. The piece consists of a film, an oral narrative, a photograph and a kolt.

The narrative tells the story of a beloved grandmother and her revolutionary life choices. Despite her Laestadianistic faith and the disapproval of her community, she left what appeared to be the perfect marriage to live with another man. Liselotte Wajstedt starts with her own recollections and contemplates them. As an adult she begins to understand connections she had never thought about before.

The film weaves together family photographs and recent landscape pictures. They are accompanied by a newly composed piece of music by Hanna Nutti, who has interpreted the story through text and music. In the film, Liselotte Wajstedt sews a white kolt for her grandmother using the sewing machine she inherited from her. Along the hem she has printed a row of images from the grandmother’s life, which are then joined together, piece by piece.

Áigemátki – Tidsresa – Time Travel: SDS Karasjok, 6. sept – 28. oct 2018

http://samidaiddaguovddas.no/aigematki-tidsreise/

Áigemátki – Tidsresa – Time Travel : Tråante, january 2017 i Trondheim, 5. february 2017

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Alta Museum, 18. january – 28. mars 2016

Värmlands museum, 23. jan – 28 feb 2016

The Lost One

Bildmuseet i Umeå, 25. may – 9. sept 2014

http://www.bildmuseet.umu.se/en/exhibition/liselotte-wajstedt/12052

 

Short film The Lost One

Liselotte Wajstedt creates a tender narrative about her grandmother. She examines a personal history and discovers connections to her own life. The work also reflects several profoundly universal questions and ideas about life. Liselotte Wajstedt sews a white kolt for her grandmother using the sewing machine she inherited from her. Along the hem she has printed a row of images from the grandmother’s life, which are then joined together, piece by piece.